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Beschreibung
Do we take pleasure in reading ancient Greek tragedy despite the unsettling content or because of it? Does a safe aesthetic distance protect us from tragic suffering, or does the proximity to death tap into something more primal? Aristotle proposed catharsis, an emotional cleansing-or, in later interpretations, a sense of equilibrium-as tragedy's outcome, and Sigmund Freud and Jacques Lacan, grand theorists of the forces of anti-mastery in human and nonhuman existence, surprisingly agreed. Notwithstanding this deferral to Aristotle, their theorizations of the death drive-together with Jacques Derrida's notion of the archive as a place of conservation that inevitably fails-provide the groundwork for a radically new way of understanding tragic aesthetics.
With bold readings of thirteen plays by Aeschylus, Sophocles, and Euripides, including the Oedipus cycle, the Oresteia, Medea, and Bacchae; an eclectic synthesis of Freud, Lacan, Derrida, ¿i¿ek, Deleuze, and other critical theorists; and an engagement with art, architecture, and film, Mario Telò's Archive Feelings: A Theory of Greek Tragedy locates Greek tragedy's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Telò forges a new model of tragic aesthetics.
With bold readings of thirteen plays by Aeschylus, Sophocles, and Euripides, including the Oedipus cycle, the Oresteia, Medea, and Bacchae; an eclectic synthesis of Freud, Lacan, Derrida, ¿i¿ek, Deleuze, and other critical theorists; and an engagement with art, architecture, and film, Mario Telò's Archive Feelings: A Theory of Greek Tragedy locates Greek tragedy's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Telò forges a new model of tragic aesthetics.
Do we take pleasure in reading ancient Greek tragedy despite the unsettling content or because of it? Does a safe aesthetic distance protect us from tragic suffering, or does the proximity to death tap into something more primal? Aristotle proposed catharsis, an emotional cleansing-or, in later interpretations, a sense of equilibrium-as tragedy's outcome, and Sigmund Freud and Jacques Lacan, grand theorists of the forces of anti-mastery in human and nonhuman existence, surprisingly agreed. Notwithstanding this deferral to Aristotle, their theorizations of the death drive-together with Jacques Derrida's notion of the archive as a place of conservation that inevitably fails-provide the groundwork for a radically new way of understanding tragic aesthetics.
With bold readings of thirteen plays by Aeschylus, Sophocles, and Euripides, including the Oedipus cycle, the Oresteia, Medea, and Bacchae; an eclectic synthesis of Freud, Lacan, Derrida, ¿i¿ek, Deleuze, and other critical theorists; and an engagement with art, architecture, and film, Mario Telò's Archive Feelings: A Theory of Greek Tragedy locates Greek tragedy's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Telò forges a new model of tragic aesthetics.
With bold readings of thirteen plays by Aeschylus, Sophocles, and Euripides, including the Oedipus cycle, the Oresteia, Medea, and Bacchae; an eclectic synthesis of Freud, Lacan, Derrida, ¿i¿ek, Deleuze, and other critical theorists; and an engagement with art, architecture, and film, Mario Telò's Archive Feelings: A Theory of Greek Tragedy locates Greek tragedy's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Telò forges a new model of tragic aesthetics.
Über den Autor
Mario Telò is Professor of Classics at the University of California, Berkeley. He is author of Aristophanes and the Cloak of Comedy: Affect, Aesthetics, and the Canon.
Details
Erscheinungsjahr: | 2023 |
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Genre: | Allgemeine Lexika, Importe |
Rubrik: | Literaturwissenschaft |
Medium: | Taschenbuch |
ISBN-13: | 9780814257739 |
ISBN-10: | 0814257739 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Telò, Mario |
Hersteller: | The Ohio State University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 20 mm |
Von/Mit: | Mario Telò |
Erscheinungsdatum: | 08.11.2023 |
Gewicht: | 0,553 kg |
Über den Autor
Mario Telò is Professor of Classics at the University of California, Berkeley. He is author of Aristophanes and the Cloak of Comedy: Affect, Aesthetics, and the Canon.
Details
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Allgemeine Lexika, Importe |
Rubrik: | Literaturwissenschaft |
Medium: | Taschenbuch |
ISBN-13: | 9780814257739 |
ISBN-10: | 0814257739 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Telò, Mario |
Hersteller: | The Ohio State University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 20 mm |
Von/Mit: | Mario Telò |
Erscheinungsdatum: | 08.11.2023 |
Gewicht: | 0,553 kg |
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