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In Fiery Cinema, Weihong Bao traces the permutations of cinema as an affective medium in China from the early through the mid-twentieth century, exploring its role in aesthetics, politics, and social institutions.
In Fiery Cinema, Weihong Bao traces the permutations of cinema as an affective medium in China from the early through the mid-twentieth century, exploring its role in aesthetics, politics, and social institutions.
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