A Finnegans Wake for the postdigital millennium, Kenji Siratori's Blood Electric is probably the foundational text of the language-horror sub-genre: an evasive, esoteric and ultraexperimental writing style produced by the convergence of poetics and methods borrowed from avantgarde literature, electronic/noise music, synthetic abstract image generation, and severe-yet delicate-syntactic deconstruction. Siratori's unique writing technique results in a hardcore-cyberpunk material account of a bio-techno singularity network in which flesh-code wetware and silicon-thriving software infold together into wave-multitudes of text-organisms. While most contemporary authors exploring the possibility of the blending of humans and machines focus on the extrapolation of logical and transcendental interactions (as in classical cyberpunk, from which Blood Electric initiates a radical breakup), Siratori's language emanates directly from the contingent, rhizomatic, non-teleological, reciprocal disruption of several unstable and immanent modes of embodied (in)existence. In Blood Electric the text becomes an incantation demanding full abandonment, generating its own unpredictable rhythms as it enraptures you beyond reading, beyond yourself, like when participating in a rave.

-Germán Sierra