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Beschreibung
The four songs on Side B of the 1965 Album, Bringing It All Back Home represent the pinnacle of Dylan's acoustic achievement.
'Mr Tambourine Man,' 'Gates of Eden,' 'It's Alright Ma (I'm Only Bleeding)' and 'It's All Over Now Baby Blue' are vintage, quintessential Dylan, a climax to four years of musical and lyrical development. They encapsulate the early, acoustic Dylan, and surpass that development, extending his emotional and lyrical range.
Mike Johnson delves into these songs and traces their history from their first performances to their last, and provides the reader with links to sound files. You can listen as you read.
Johnson argues that the popular view that Dylan gave up protest to write more personal and surreal songs is simplistic, and that the spirit of protest is very alive in these songs, with 'It's Alright Ma (I'm Only Bleeding)' being the most ferocious, and best, of all his protest songs.
'Mr Tambourine Man,' 'Gates of Eden,' 'It's Alright Ma (I'm Only Bleeding)' and 'It's All Over Now Baby Blue' are vintage, quintessential Dylan, a climax to four years of musical and lyrical development. They encapsulate the early, acoustic Dylan, and surpass that development, extending his emotional and lyrical range.
Mike Johnson delves into these songs and traces their history from their first performances to their last, and provides the reader with links to sound files. You can listen as you read.
Johnson argues that the popular view that Dylan gave up protest to write more personal and surreal songs is simplistic, and that the spirit of protest is very alive in these songs, with 'It's Alright Ma (I'm Only Bleeding)' being the most ferocious, and best, of all his protest songs.
The four songs on Side B of the 1965 Album, Bringing It All Back Home represent the pinnacle of Dylan's acoustic achievement.
'Mr Tambourine Man,' 'Gates of Eden,' 'It's Alright Ma (I'm Only Bleeding)' and 'It's All Over Now Baby Blue' are vintage, quintessential Dylan, a climax to four years of musical and lyrical development. They encapsulate the early, acoustic Dylan, and surpass that development, extending his emotional and lyrical range.
Mike Johnson delves into these songs and traces their history from their first performances to their last, and provides the reader with links to sound files. You can listen as you read.
Johnson argues that the popular view that Dylan gave up protest to write more personal and surreal songs is simplistic, and that the spirit of protest is very alive in these songs, with 'It's Alright Ma (I'm Only Bleeding)' being the most ferocious, and best, of all his protest songs.
'Mr Tambourine Man,' 'Gates of Eden,' 'It's Alright Ma (I'm Only Bleeding)' and 'It's All Over Now Baby Blue' are vintage, quintessential Dylan, a climax to four years of musical and lyrical development. They encapsulate the early, acoustic Dylan, and surpass that development, extending his emotional and lyrical range.
Mike Johnson delves into these songs and traces their history from their first performances to their last, and provides the reader with links to sound files. You can listen as you read.
Johnson argues that the popular view that Dylan gave up protest to write more personal and surreal songs is simplistic, and that the spirit of protest is very alive in these songs, with 'It's Alright Ma (I'm Only Bleeding)' being the most ferocious, and best, of all his protest songs.
Über den Autor
Mike Johnson, fiction writer and poet, is widely regarded as one of New Zealand's most innovative writers. He lives on Waiheke Island and has taught creative writing at AUT University and the University of Auckland. In 2002 he received The University of Auckland's Literary Fellowship, having been Literary Fellow at Canterbury University in 1987. His first novel, Lear, the Shakespeare Company Plays Lear at Babylon was short listed for the New Zealand Book Awards in 1986, his novel Dumb Show won the Buckland Memorial Award for Literary Excellence in 1995, and he won the Frances Kean Award his short story, 'Magic Strings' in 1999. His first book of poetry, The Palanquin Ropes, (1983) was co-winner of the John Cowie Reed Memorial Competition. His non-fiction, Angel of Compassion, was shortlisted for the Ashton Whyle Award in 2014, and a poem from Vertical Harp, The selected poems of Li He (2006) has been anthologised in the Essential New Zealand Poems: Facing the Empty Page (Random House, 2015). Mike Johnson is the author of twenty-six books including nine books of poetry, three of shorter fiction, one non fiction, three children's books, and ten novels.
Details
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| ISBN-13: | 9781991083661 |
| ISBN-10: | 1991083661 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Johnson, Mike |
| Hersteller: | Lasavia Publishing |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 152 x 9 mm |
| Von/Mit: | Mike Johnson |
| Erscheinungsdatum: | 15.09.2026 |
| Gewicht: | 0,234 kg |