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Beschreibung

How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations - much of it wrong.

Cataloguing Culture examines how colonialism operates in museum bureaucracies. Using the Smithsonian's National Museum of Natural History as her reference, Hannah Turner organizes her study by the technologies framing museum work over two hundred years: field records, the ledger, the card catalogue, the punch card, and eventually the database. She examines how categories were applied to ethnographic material culture and became routine throughout federal collecting institutions.

As Indigenous communities encounter the documentary traces of imperialism while attempting to reclaim what is theirs, this timely work shines a light on access to and return of cultural heritage.

How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations - much of it wrong.

Cataloguing Culture examines how colonialism operates in museum bureaucracies. Using the Smithsonian's National Museum of Natural History as her reference, Hannah Turner organizes her study by the technologies framing museum work over two hundred years: field records, the ledger, the card catalogue, the punch card, and eventually the database. She examines how categories were applied to ethnographic material culture and became routine throughout federal collecting institutions.

As Indigenous communities encounter the documentary traces of imperialism while attempting to reclaim what is theirs, this timely work shines a light on access to and return of cultural heritage.

Über den Autor
Hannah Turner is an information and museum studies scholar, and is an assistant professor in the School of Information at the University of British Columbia. She has published in journals such as Museum Anthropology, Knowledge Organization, and Cataloging and Classification Quarterly. From 2018 to 2019 she was a lecturer in Museum Studies at the University of Leicester.
Inhaltsverzeichnis

Preface

Introduction: "The Making of Specimens Eloquent"

1 Writing Desiderata: Defining Evidence in the Field

2 On the Margins: Paper Systems of Classification

3 Ordering Devices and Indian Files: Cataloguing Ethnographic Specimens

4 Pragmatic Classification: The Routine Work of Description after 1950

5 Object, Specimen, Data: Computerization and the Legacy of Dirty Data

Conclusion: A Museum Data Legacy for the Future

Notes; Bibliography; Index

Details
Erscheinungsjahr: 2022
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780774863933
ISBN-10: 0774863935
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Turner, Hannah
Hersteller: University of British Columbia Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 226 x 151 x 17 mm
Von/Mit: Hannah Turner
Erscheinungsdatum: 22.03.2022
Gewicht: 0,398 kg
Artikel-ID: 121132439