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Dance Music of the French Baroque brings together information on rhythmfrom the interrelated fields of music, dance, poetry, rhetoric, and philosophy. PartI is devoted to the various factors involved in dance rhythms, including tempos, rhythmic feet, dance steps, declamation of lyrics, instrumental articulation, andperformance of ornaments.
Part II describes in alphabetic orderthe fifteen most frequently encountered dances of the period and identifies the mosttypical performance of each in relation to the factors discussed in Part I. Withreference to numerous illustrations and musical examples, it clearly conveys themanner in which the allemandes, bour es, chaconnes, gigues, etc., may be [...] practical book presents a myriad of information in a form that is easy to useyet as graceful as the dances it describes.
Part II describes in alphabetic orderthe fifteen most frequently encountered dances of the period and identifies the mosttypical performance of each in relation to the factors discussed in Part I. Withreference to numerous illustrations and musical examples, it clearly conveys themanner in which the allemandes, bour es, chaconnes, gigues, etc., may be [...] practical book presents a myriad of information in a form that is easy to useyet as graceful as the dances it describes.
Dance Music of the French Baroque brings together information on rhythmfrom the interrelated fields of music, dance, poetry, rhetoric, and philosophy. PartI is devoted to the various factors involved in dance rhythms, including tempos, rhythmic feet, dance steps, declamation of lyrics, instrumental articulation, andperformance of ornaments.
Part II describes in alphabetic orderthe fifteen most frequently encountered dances of the period and identifies the mosttypical performance of each in relation to the factors discussed in Part I. Withreference to numerous illustrations and musical examples, it clearly conveys themanner in which the allemandes, bour es, chaconnes, gigues, etc., may be [...] practical book presents a myriad of information in a form that is easy to useyet as graceful as the dances it describes.
Part II describes in alphabetic orderthe fifteen most frequently encountered dances of the period and identifies the mosttypical performance of each in relation to the factors discussed in Part I. Withreference to numerous illustrations and musical examples, it clearly conveys themanner in which the allemandes, bour es, chaconnes, gigues, etc., may be [...] practical book presents a myriad of information in a form that is easy to useyet as graceful as the dances it describes.
Details
Empfohlen (von): | 22 |
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Erscheinungsjahr: | 1988 |
Medium: | Buch |
Reihe: | Music: Scholarship and Perform |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9780253316066 |
ISBN-10: | 0253316065 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Betty Bang Mather |
Orchester: | Karns, Dean M. |
Hersteller: | INDIANA UNIV PR |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Abbildungen: | 1, black & white illustrations |
Maße: | 233 x 170 x 27 mm |
Von/Mit: | Betty Bang Mather |
Erscheinungsdatum: | 22.01.1988 |
Gewicht: | 0,68 kg |
Details
Empfohlen (von): | 22 |
---|---|
Erscheinungsjahr: | 1988 |
Medium: | Buch |
Reihe: | Music: Scholarship and Perform |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9780253316066 |
ISBN-10: | 0253316065 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Betty Bang Mather |
Orchester: | Karns, Dean M. |
Hersteller: | INDIANA UNIV PR |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Abbildungen: | 1, black & white illustrations |
Maße: | 233 x 170 x 27 mm |
Von/Mit: | Betty Bang Mather |
Erscheinungsdatum: | 22.01.1988 |
Gewicht: | 0,68 kg |
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