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Beschreibung
The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. The theoretical principles of a theory of color, color measurement, and offset printing are indispensable for calibrating the overall course of production. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.
The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. The theoretical principles of a theory of color, color measurement, and offset printing are indispensable for calibrating the overall course of production. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.
Über den Autor
Jan-Peter Homann ist Autor zahlreicher Artikel in der Zeitschrift PAGE und der Publishing Praxis. Er ist außerdem Referent von BVDM und FOGRA hat das Standardwerk "4 Farben 1 Bild" von Mattias Nyman für die vierte Auflage überarbeitet.
Zusammenfassung

The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. The theoretical principles of a theory of color, color measurement, and offset printing are indispensable for calibrating the overall course of production. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.

Inhaltsverzeichnis
Color Theory with Ideal Colors.- Color Theory with Realistic Colors.- The Principles of Color Management.- ISO 12647, GRACoL and SWOP for Separation, Proof and Print.- Using ICC Strengths and Avoiding ICC Problems.- PDF/X-1a and DeviceLink Color Servers.- Corner Stones for a Color-Management Strategy.
Details
Erscheinungsjahr: 2010
Fachbereich: Anwendungs-Software
Genre: Informatik, Mathematik, Medizin, Naturwissenschaften, Technik
Rubrik: Naturwissenschaften & Technik
Medium: Taschenbuch
Reihe: X.media.publishing
Inhalt: viii
204 S.
ISBN-13: 9783642086427
ISBN-10: 364208642X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Homann, Jan-Peter
Auflage: Softcover reprint of hardcover 1st edition 2009
Hersteller: Springer
Springer-Verlag GmbH
X.media.publishing
Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com
Maße: 277 x 210 x 12 mm
Von/Mit: Jan-Peter Homann
Erscheinungsdatum: 23.11.2010
Gewicht: 0,523 kg
Artikel-ID: 107211450