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After Rumours became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and the band significant cash in the long run) and then handed the reins to their guitarist and resident perfectionist Lindsey Buckingham. "You know," Buckingham said, "we had this ridiculous success with Rumours. We were poised to do another album, and I guess because the axiom 'If it works, run it into the ground' was prevalent then, we were probably poised to do Rumours II. I don't know how you do that, but somehow my light bulb that went off was, 'Let's just not do that. Let's very pointedly not do that.' "
Here, Rob Trucks talks to Lindsey Buckingham, as well as members of Animal Collective, Camper Van Beethoven, the New Pornographers, Wolf Parade, and the USC Trojan marching band in order to chart both the story and the impact of an album born of personal obsession and a stubborn unwillingness to compromise.
After Rumours became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and the band significant cash in the long run) and then handed the reins to their guitarist and resident perfectionist Lindsey Buckingham. "You know," Buckingham said, "we had this ridiculous success with Rumours. We were poised to do another album, and I guess because the axiom 'If it works, run it into the ground' was prevalent then, we were probably poised to do Rumours II. I don't know how you do that, but somehow my light bulb that went off was, 'Let's just not do that. Let's very pointedly not do that.' "
Here, Rob Trucks talks to Lindsey Buckingham, as well as members of Animal Collective, Camper Van Beethoven, the New Pornographers, Wolf Parade, and the USC Trojan marching band in order to chart both the story and the impact of an album born of personal obsession and a stubborn unwillingness to compromise.
Acknowledgments
Intro: The Warning Shot
Chapter One
What We Talk About When We Talk About Tusk Jonathan Segel of Camper Van Beethoven
Chapter Three
What We Talk About When We Talk About Tusk Walter Egan
Chapter Five
What We Talk About When We Talk About Tusk Kaki King
Chapter Seven
What We Talk About When We Talk About Tusk A.C. Newman of the New Pornographers
Chapter Nine
What We Talk About When We Talk About Tusk Gretchen Heffler of the USC Spirit of Troy marching band
Chapter Eleven
What We Talk About When We Talk About Tusk Dan Boeckner and Hadji Bakara of Wolf Parade
Chapter Thirteen
What We Talk About When We Talk About Tusk Dave Portner, a/k/a Avey Tare, of Animal Collective
Chapter Fifteen
What We Talk About When We Talk About Tusk Michael G of Tusk, a Fleetwood Mac tribute band
Chapter Seventeen
| Erscheinungsjahr: | 2011 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Biographien & Monographien |
| Medium: | Taschenbuch |
| Reihe: | 33 1/3 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780826429025 |
| ISBN-10: | 0826429025 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Trucks, Rob |
| Hersteller: |
Continuum Publishing Corporation
33 1/3 |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 164 x 121 x 12 mm |
| Von/Mit: | Rob Trucks |
| Erscheinungsdatum: | 16.02.2011 |
| Gewicht: | 0,141 kg |
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