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Cover: 9780810886674 | Giovanni Battista Rubini and the Bel Canto Tenors | Dan H. Marek
Rückseite: 9780810886674 | Giovanni Battista Rubini and the Bel Canto Tenors | Dan H. Marek
Cover: 9780810886674 | Giovanni Battista Rubini and the Bel Canto Tenors | Dan H. Marek
Rückseite: 9780810886674 | Giovanni Battista Rubini and the Bel Canto Tenors | Dan H. Marek
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Giovanni Battista Rubini and the Bel Canto Tenors
History and Technique
Taschenbuch von Dan H. Marek
Sprache: Englisch

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Beschreibung
Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera. The previous two centuries had been the era of the castrati, with tenors and basses relegated to character and supporting roles in the operas of their time. Rubini stood apart because he not only matched the castrati in coloratura and pathos, but he also had an extraordinarily high voice. With Rubini’s rise, and in his wake, several tenors came to sing roles written specifically for them by Rossini, Bellini, Donizetti, and many other lesser-known bel canto composers. Signaling the end of the dominance of castrati on stage, this period would last some 40 years until the advent of Grand Opera, Wagner, and Verdi and the appearance of the first so-called High C from the chest by Gilbert-Louis Duprez in 1837. Since then, the accepted tenor sound has followed the tradition epitomized by Enrico Caruso and, in our own era, Luciano Pavarotti and Placido Domingo.
Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera. The previous two centuries had been the era of the castrati, with tenors and basses relegated to character and supporting roles in the operas of their time. Rubini stood apart because he not only matched the castrati in coloratura and pathos, but he also had an extraordinarily high voice. With Rubini’s rise, and in his wake, several tenors came to sing roles written specifically for them by Rossini, Bellini, Donizetti, and many other lesser-known bel canto composers. Signaling the end of the dominance of castrati on stage, this period would last some 40 years until the advent of Grand Opera, Wagner, and Verdi and the appearance of the first so-called High C from the chest by Gilbert-Louis Duprez in 1837. Since then, the accepted tenor sound has followed the tradition epitomized by Enrico Caruso and, in our own era, Luciano Pavarotti and Placido Domingo.
Über den Autor
Dan H. Marek is a distinguished international singer, teacher, and writer who has appeared as a principal tenor at the Metropolitan Opera, New York City Opera, and the Salzburg Opera. He is a teacher of voice at Mannes College of Music in New York City and is the author of Singing: The First Art (Scarecrow, 2006) and Giovanni Battista Rubini and the Bel Canto Tenors:History and Technique (Scarecrow, 2013).
Details
Erscheinungsjahr: 2013
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780810886674
ISBN-10: 0810886677
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Marek, Dan H.
Hersteller: Scarecrow Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 280 x 210 x 24 mm
Von/Mit: Dan H. Marek
Erscheinungsdatum: 06.06.2013
Gewicht: 1,064 kg
Artikel-ID: 107539644
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