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Beschreibung
This study analyzes Hans Thoma's (1839-1924) creative motivations, artistic development, and struggle for recognition in the context of modern German painting. More importantly, it examines Thoma's place in nineteenth-century German art, particularly that of fin-de-siècle German Realist art from 1870-1900, with its contributions to the newly-formed government's initiative of constructing a generic German national identity through his landscape paintings and genre scenes. I contend that Hans Thoma's paintings played a part in constructing the German idea of the 'Deutsche Heimat' [German Homeland] at this time. Thoma's paintings of the day-to-day life of people living in rural Germany and their surrounding landscapes came to represent an identity of the collective whole. Because he primarily painted the people and landscape in and around his hometown of Bernau, in southern Germany's region of Baden-Württemberg, it also expressed Thoma's regionalist pride. Regionalism, and its varying identities, became a foundation for larger definitions of German nationalism toward the end of the nineteenth century.
This study analyzes Hans Thoma's (1839-1924) creative motivations, artistic development, and struggle for recognition in the context of modern German painting. More importantly, it examines Thoma's place in nineteenth-century German art, particularly that of fin-de-siècle German Realist art from 1870-1900, with its contributions to the newly-formed government's initiative of constructing a generic German national identity through his landscape paintings and genre scenes. I contend that Hans Thoma's paintings played a part in constructing the German idea of the 'Deutsche Heimat' [German Homeland] at this time. Thoma's paintings of the day-to-day life of people living in rural Germany and their surrounding landscapes came to represent an identity of the collective whole. Because he primarily painted the people and landscape in and around his hometown of Bernau, in southern Germany's region of Baden-Württemberg, it also expressed Thoma's regionalist pride. Regionalism, and its varying identities, became a foundation for larger definitions of German nationalism toward the end of the nineteenth century.
Über den Autor
Dr. Christine Bentley values the importance of art throughout history and its influence on culture. She has a Ph.D. in Art History from Indiana University and a M.A. in Art History from the University of Notre Dame. Her primarily area of interest is European Modernism, with minor areas of emphasis in Renaissance and Islamic Art.
Details
Erscheinungsjahr: 2019
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: 240 S.
ISBN-13: 9786139917891
ISBN-10: 6139917891
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Bentley, Christine
Hersteller: LAP LAMBERT Academic Publishing
Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 220 x 150 x 15 mm
Von/Mit: Christine Bentley
Erscheinungsdatum: 17.08.2019
Gewicht: 0,375 kg
Artikel-ID: 117258496