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Beschreibung
Shimmering in maximal minimalism, joyful bleakness, and bodiless intimacy, Laurie Anderson's Big Science diagnosed crises of meaning, scale, and identity in 1982. Decades later, the strange questions it poses loom even larger: How do we remain human when our identities are digitally distributed? Does technology bring us closer together or further apart? Can we experience the stillness of "now" when time is always moving? How does our experience become memory? Laurie Anderson pioneered new techniques and aesthetics in performance art, becoming its first and most enduring superstar. In this book, author S. Alexander Reed dives into the wonderfully strange making and meanings of this singular album and of its creator's long artistic career. Packed with scrupulous new research, reception history, careful description, and dizzying creativity, this book is an interdisciplinary love letter to a record whose sounds, politics, and expressions of gendered identity grow more relevant each day.
Shimmering in maximal minimalism, joyful bleakness, and bodiless intimacy, Laurie Anderson's Big Science diagnosed crises of meaning, scale, and identity in 1982. Decades later, the strange questions it poses loom even larger: How do we remain human when our identities are digitally distributed? Does technology bring us closer together or further apart? Can we experience the stillness of "now" when time is always moving? How does our experience become memory? Laurie Anderson pioneered new techniques and aesthetics in performance art, becoming its first and most enduring superstar. In this book, author S. Alexander Reed dives into the wonderfully strange making and meanings of this singular album and of its creator's long artistic career. Packed with scrupulous new research, reception history, careful description, and dizzying creativity, this book is an interdisciplinary love letter to a record whose sounds, politics, and expressions of gendered identity grow more relevant each day.
Über den Autor
Dr. S. Alexander Reed is a musician and scholar of subculture, pop, and technology. Author of the acclaimed book Assimilate: A Critical History of Industrial Music, he has also published in Bloomsbury's 33 1/3 book series, Slate, the Journal of Popular Music Studies, the Journal of Musicological Research, Perspectives of New Music, Popular Music and Society, ImageTexT, the Journal of Popular Music Education, and elsewhere. As a musician, producer, and remixer, he has dozens of recording credits. Reed teaches at Ithaca College, and has previously been on faculty at NYU's Clive Davis Institute for Recorded Music, The University of Florida, and The College of William and Mary.
Inhaltsverzeichnis
  • I. FINDING THE NOW IN BIG SCIENCE

  • II. TOO BIG TO FAIL

  • ---

  • III. DESCRIBING SIDE 1

  • IV. FLIPPING THE RECORD

  • V. DESCRIBING SIDE 2

  • ---

  • VI. NEW MUSIC vs. NEW WAVE

  • VII. THE GENDERED MAKING OF UNGENDERED STYLE

  • VIII. BIGNESS AS USUAL

  • Acknowledgements

  • Works Cited

Details
Erscheinungsjahr: 2021
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Inhalt: Buch
ISBN-13: 9780190926021
ISBN-10: 0190926023
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Reed, S Alexander
Hersteller: Oxford University Press, USA
Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de
Maße: 210 x 140 x 11 mm
Von/Mit: S Alexander Reed
Erscheinungsdatum: 25.03.2022
Gewicht: 0,238 kg
Artikel-ID: 120379727