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Michelangelo's Design Principles, Particularly in Relation to Those of Raphael
Buch von Erwin Panofsky
Sprache: Englisch

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Beschreibung
In 2012, a manuscript by renowned art historian Erwin Panofsky was rediscovered in a safe in Munich, in the basement of what is now the Central Institute for Art History. Hidden for decades among folders and administrative files was Panofsky's thesis on Michelangelo--submitted to Hamburg University in 1920, abandoned when Panofsky fled Hitler's Germany in 1933, and thought to have been destroyed in the Allied bombings. Michelangelo's Design Principles makes this remarkable work available for the first time in English, a century after the original version was written. Casting Panofsky's thought in an entirely new light, Michelangelo's Design Principles is the legendary scholar's only book-length examination of the art of the Italian Renaissance. He provides a compelling analysis of Michelangelo's artistic style and deftly compares it with that of Raphael, situating both Renaissance masters in the broader context of Western art. This illuminating book offers unique perspectives on Panofsky's early intellectual development and the state of research on Michelangelo and the High Renaissance at a period of transition in art history, when formalist readings of artworks began to take precedence over a biographical approach.
In 2012, a manuscript by renowned art historian Erwin Panofsky was rediscovered in a safe in Munich, in the basement of what is now the Central Institute for Art History. Hidden for decades among folders and administrative files was Panofsky's thesis on Michelangelo--submitted to Hamburg University in 1920, abandoned when Panofsky fled Hitler's Germany in 1933, and thought to have been destroyed in the Allied bombings. Michelangelo's Design Principles makes this remarkable work available for the first time in English, a century after the original version was written. Casting Panofsky's thought in an entirely new light, Michelangelo's Design Principles is the legendary scholar's only book-length examination of the art of the Italian Renaissance. He provides a compelling analysis of Michelangelo's artistic style and deftly compares it with that of Raphael, situating both Renaissance masters in the broader context of Western art. This illuminating book offers unique perspectives on Panofsky's early intellectual development and the state of research on Michelangelo and the High Renaissance at a period of transition in art history, when formalist readings of artworks began to take precedence over a biographical approach.
Über den Autor
Erwin Panofsky
Edited and with an introduction by Gerda Panofsky
Details
Erscheinungsjahr: 2020
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9780691165264
ISBN-10: 0691165262
Sprache: Englisch
Einband: Gebunden
Autor: Panofsky, Erwin
Orchester: Panofsky, Gerda introduction
Redaktion: Panofsky-Soergel, Gerda
Übersetzung: Spooner, Joseph
Hersteller: Princeton University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 240 x 164 x 40 mm
Von/Mit: Erwin Panofsky
Erscheinungsdatum: 23.06.2020
Gewicht: 0,794 kg
Artikel-ID: 117681288
Über den Autor
Erwin Panofsky
Edited and with an introduction by Gerda Panofsky
Details
Erscheinungsjahr: 2020
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9780691165264
ISBN-10: 0691165262
Sprache: Englisch
Einband: Gebunden
Autor: Panofsky, Erwin
Orchester: Panofsky, Gerda introduction
Redaktion: Panofsky-Soergel, Gerda
Übersetzung: Spooner, Joseph
Hersteller: Princeton University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 240 x 164 x 40 mm
Von/Mit: Erwin Panofsky
Erscheinungsdatum: 23.06.2020
Gewicht: 0,794 kg
Artikel-ID: 117681288
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