Chriscinda Henry is Associate Professor of Art History at McGill University in Montreal, Canada.

Tim Shephard is Professor of Musicology at the University of Sheffield, UK, and simultaneously holds a status-only appointment as Associate Professor in History of Art at the University of Toronto, Canada.

Introduction

Chriscinda Henry and Tim Shephard

PART I

Knowledge and Practice Across Disciplines

1. "A Body Composed of Many Parts": The Concept of Harmony in Leonardo da Vinci's Paragone

David E. Cohen

2. Aporia and the Harmonious Subject

Tim Shephard

3. Singing Sibyls: Music, Inspiration, Labour, and Art on the Sistine Chapel Ceiling

Barnaby Nygren

4. Musical Self-Portraits by Garofalo, Anguissola, and Fontana

Samantha Chang

5. Dangerous Music at the Accademia di San Luca and Federico Zuccaro's "Art" of Censorship

Leslie Korrick

6. Il Figino and the Paragone

Antonio Cascelli

7. The Tuning Figure in Early Modern Art 1350-1700

Francois Quiviger

8. The Flow of Time and Feelings in Evaristo Baschenis' Still Lifes with Instruments

Gioia Filocamo

PART II

Cultures of Everyday Life

9. The Iconography of Dancing on Renaissance Wedding Chests

Jasmine Marie Chiu

10. Visible and Invisible Musical Paths in Federico da Montefeltro's Gubbio Studiolo

Nicoletta Guidobadi

11. The Convergence of Sacred and Secular in Vittore Carpaccio's British Museum Concert

Chriscinda Henry

12. The Artist and Artistry of the "Capirola Lutebook"

Victor Coelho

13. No Country for Old Men? Aging and Men's Musicianship in Italian Renaissance Art

Sanna Raninen

14. Music, the Visual and the Material in an Italian Renaissance Basin

Flora Dennis

15. Fantastic Finials: Carved Scrolls and Headstocks of Renaissance Stringed Instruments

Emanuela Vai

16. The "Author's Portrait" in Early Modern Italian Music Books

Massimo Privitera