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Beschreibung
In Performances of Spiral Time, famed Afro-Brazilian thinker Leda Maria Martins theorizes forms of African and African diasporic temporality, corporeality, and space that exist apart from and critique Eurocentric notions of linear time. Martins introduces the notion of "spiral time"-curved and recurrent temporalities materialized in Black corporealities in which the body is the place of the inscription of memory and knowledge. She draws on African and African diasporic philosophy as well as the ritual performance and quotidian practices of Afro-Brazilians, arguing that spiral time is most powerfully expressed by the moving body. Embodied performance-whether manifested as capoeira, Candomblé, or theater-and the influence of oral traditions, sacredness, and ancestrality, cause time and memory to curve and return. With this theorization, Martins not only counters the claim to dominance of Western linear time; she provides a polyvalent and foundational account of African and African diasporic thought and ontology.
In Performances of Spiral Time, famed Afro-Brazilian thinker Leda Maria Martins theorizes forms of African and African diasporic temporality, corporeality, and space that exist apart from and critique Eurocentric notions of linear time. Martins introduces the notion of "spiral time"-curved and recurrent temporalities materialized in Black corporealities in which the body is the place of the inscription of memory and knowledge. She draws on African and African diasporic philosophy as well as the ritual performance and quotidian practices of Afro-Brazilians, arguing that spiral time is most powerfully expressed by the moving body. Embodied performance-whether manifested as capoeira, Candomblé, or theater-and the influence of oral traditions, sacredness, and ancestrality, cause time and memory to curve and return. With this theorization, Martins not only counters the claim to dominance of Western linear time; she provides a polyvalent and foundational account of African and African diasporic thought and ontology.
Über den Autor
Leda Maria Martins is Professor of Literature, Arts, and Sciences at Universidade Federal de Minas Gerais.

Bruna Barros is a multidisciplinary artist and translator.

Jess Oliveira is a translator and poet.

Fred Moten is Professor in the Departments of Performance Studies and Comparative Literature at New York University.
Inhaltsverzeichnis
Black Swan Song / Fred Moten xi
Ritornellos xii
Composition I. Theosophies, Times, and Theories 1
Composition II. The Curved Time of Memory
Composition III. Poetics of Oralitura
Composition IV. My Destiny Is to Sing, the Mythopoetic Gesta of the Reinados
Composition V. A Canvas-Body, a Firefly Poetics
Ntangu. On Spiral Time, Condensations
List of Performances and Theatrical works
Notes
Bibliography
Index
Details
Erscheinungsjahr: 2025
Genre: Importe, Soziologie
Rubrik: Wissenschaften
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781478032557
ISBN-10: 1478032553
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Martins, Leda Maria
Übersetzung: Barros, Bruna
Oliveira, Jess
Hersteller: Duke University Press
Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, ?-4831 GR Breda, gpsr@mare-nostrum.co.uk
Maße: 229 x 152 x 9 mm
Von/Mit: Leda Maria Martins
Erscheinungsdatum: 21.10.2025
Gewicht: 0,237 kg
Artikel-ID: 134060269

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