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Cover: 9780300233537 | Picturesque and Sublime | Thomas Cole's Trans-Atlantic Inheritance
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Picturesque and Sublime
Thomas Cole's Trans-Atlantic Inheritance
Taschenbuch von Tim Barringer (u. a.)
Sprache: Englisch

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Beschreibung
Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole's own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole's formulation of a profound new category in art--the American sublime. Published in association with the Thomas Cole National Historic Site

Exhibition Schedule:

Thomas Cole National Historic Site
(05/01/18-11/04/18)

Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole's own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole's formulation of a profound new category in art--the American sublime. Published in association with the Thomas Cole National Historic Site

Exhibition Schedule:

Thomas Cole National Historic Site
(05/01/18-11/04/18)

Über den Autor
Tim Barringer is Paul Mellon Professor in the History of Art at Yale University. Gillian Forrester is senior curator of historic fine art at the Whitworth Art Gallery, Manchester. Jennifer Raab is assistant professor in the history of art at Yale University. Sophie Lynford and Nicholas Robbins are doctoral candidates in the history of art at Yale University.
Details
Erscheinungsjahr: 2018
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
ISBN-13: 9780300233537
ISBN-10: 0300233531
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Barringer, Tim
Forrester, Gillian
Raab, Jennifer
Hersteller: Yale University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 277 x 231 x 18 mm
Von/Mit: Tim Barringer (u. a.)
Erscheinungsdatum: 17.04.2018
Gewicht: 1,134 kg
Artikel-ID: 132524673
Über den Autor
Tim Barringer is Paul Mellon Professor in the History of Art at Yale University. Gillian Forrester is senior curator of historic fine art at the Whitworth Art Gallery, Manchester. Jennifer Raab is assistant professor in the history of art at Yale University. Sophie Lynford and Nicholas Robbins are doctoral candidates in the history of art at Yale University.
Details
Erscheinungsjahr: 2018
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
ISBN-13: 9780300233537
ISBN-10: 0300233531
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Barringer, Tim
Forrester, Gillian
Raab, Jennifer
Hersteller: Yale University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 277 x 231 x 18 mm
Von/Mit: Tim Barringer (u. a.)
Erscheinungsdatum: 17.04.2018
Gewicht: 1,134 kg
Artikel-ID: 132524673
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