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Beschreibung
This book discusses affective practices in performance through the study of four contemporary performers ¿ Keith Hennessy, Ilya Noé, Caro Novella, and duskin drum ¿ to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox ¿ hendiadys, enthymeme, anecdote, allegory ¿ that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
This book discusses affective practices in performance through the study of four contemporary performers ¿ Keith Hennessy, Ilya Noé, Caro Novella, and duskin drum ¿ to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox ¿ hendiadys, enthymeme, anecdote, allegory ¿ that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
Über den Autor
Lynette Hunter has a background in rhetoric, philosophy and political theory. She has researched women's history and feminism, the history of science and medicine, decolonialism and Canadian Studies, and, more recently, performance and practice. Writer, co-writer and co-editor of 30 books, her work is significantly informed by learning from daoist epistemology and indigenous ways of knowing.
Zusammenfassung

Rethinks performance studies from the perspective of the performer, which simultaneously recasts the audience member

Suggests a rhetoric of performativity that articulates aesthetic affect as inextricable from politics and ethics

Offers four detailed case studies of work by nationally and internationally known artmakers

Inhaltsverzeichnis

1. Introduction.- 2. The Sociocultural and the Sociosituated.- 3. The Alongside.- 4. Sustaining Sociosituated Performativity with Collaboration.- 5. Transition - Critical Reflections.- 6. Keith Hennessy's Sol Niger, and Turbulence.- 7. Ilya Noé's Deerwalk.- 8. Caro Novella's parèntesi, and Resistencias Sonoras.- 9. duskin drum - Selections from performance artmaking.- 10. Completed Notes - Finding Critical Form.

Details
Erscheinungsjahr: 2020
Genre: Geisteswissenschaften, Kunst, Musik
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Reihe: Performance Philosophy
Inhalt: xiii
278 S.
30 s/w Illustr.
278 p. 30 illus.
ISBN-13: 9783030140212
ISBN-10: 3030140210
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Hunter, Lynette
Hersteller: Palgrave Macmillan
Springer International Publishing AG
Performance Philosophy
Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com
Maße: 210 x 148 x 16 mm
Von/Mit: Lynette Hunter
Erscheinungsdatum: 06.11.2020
Gewicht: 0,381 kg
Artikel-ID: 119074603

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