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In close readings of Mozart's Così fan tutte, Beethoven's Fidelio, Berlioz's Les Troyens, and Wagner's Die Meistersinger von Nürnberg, Said explores how each opera engages with the social and political questions of their own eras-and how they might speak to the present. He pays careful attention to the works' historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera's cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said's contributions to cultural criticism.
This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said's career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said's achievements.
In close readings of Mozart's Così fan tutte, Beethoven's Fidelio, Berlioz's Les Troyens, and Wagner's Die Meistersinger von Nürnberg, Said explores how each opera engages with the social and political questions of their own eras-and how they might speak to the present. He pays careful attention to the works' historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera's cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said's contributions to cultural criticism.
This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said's career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said's achievements.
Wouter Capitain is a postdoctoral researcher at the University of Göttingen. His doctoral dissertation at the University of Amsterdam examined Edward Said's music-related work.
Peter Sellars is a leading opera director, MacArthur fellow, and distinguished professor in the Department of World Arts and Cultures/Dance at the University of California, Los Angeles.
Introduction
1. Così fan tutte at the Limits
2. Fidelio's Difficulties with the Past
3. Les Troyens and the Obligation to Empire
4. Creation and Coherence in Die Meistersinger
Notes
Index
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780231212014 |
| ISBN-10: | 0231212011 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Said, Edward |
| Redaktion: | Capitain, Wouter |
| Hersteller: | Columbia University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 214 x 137 x 13 mm |
| Von/Mit: | Edward Said |
| Erscheinungsdatum: | 13.02.2024 |
| Gewicht: | 0,224 kg |
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