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Cover: 9782702211267 | Simone Pheulpin | Christophe Pradeau | Buch | Englisch | 2022
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Simone Pheulpin
Buch von Christophe Pradeau
Sprache: Englisch

67,15 €*

inkl. MwSt.

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Lieferzeit 2-3 Wochen

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Beschreibung
“I’d like cloth to be recognized as a material as noble as wood, stone or metal”, says French artist Simone Pheulpin, referring to traditional sculpture. Her material is quite simple, bands of raw cotton fabric, manufactured in the Vosges. This cloth is totally transformed by a piling of very dense and regular folds held together by invisible metal pins, and nothing else. Having recognized it as a space entirely her own, she has, from sculpture to sculpture, invented a grammar of sorts, and lent to the fold as she shapes it a function that is not only visual but chromatic. The result is a very strange work that looks like colonies of coral or lichen, or else recall slabs of striated limestone, vast surfaces whose smoothness is shot with fault lines.

Simone Pheulpin’s works can be found in London’s Victoria and Albert Museum, the Art Institute of Chicago and in the Musée des arts décoratifs de Paris.

Text in English and French.
“I’d like cloth to be recognized as a material as noble as wood, stone or metal”, says French artist Simone Pheulpin, referring to traditional sculpture. Her material is quite simple, bands of raw cotton fabric, manufactured in the Vosges. This cloth is totally transformed by a piling of very dense and regular folds held together by invisible metal pins, and nothing else. Having recognized it as a space entirely her own, she has, from sculpture to sculpture, invented a grammar of sorts, and lent to the fold as she shapes it a function that is not only visual but chromatic. The result is a very strange work that looks like colonies of coral or lichen, or else recall slabs of striated limestone, vast surfaces whose smoothness is shot with fault lines.

Simone Pheulpin’s works can be found in London’s Victoria and Albert Museum, the Art Institute of Chicago and in the Musée des arts décoratifs de Paris.

Text in English and French.
Über den Autor
Christophe Pradeau, novelist, essayist and book reviewer, teaches literature at the Sorbonne University. He notably created three novels published by Verdier (La Souterraine, 2005; La Grande Sauvagerie, 2010; Les Vingt-quatre Portes du jour et de la nuit, 2017), an essay illustrated with photos by Frédéric Leguetteur, Proust à Illiers-Combray. L’Éclosion du monde (Belin, 2013), and poems for an artist’s book (Paysages entrebâillés. Sept encres de Chine de Françoise Pacé, 2011).
Details
Erscheinungsjahr: 2022
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Buch
ISBN-13: 9782702211267
ISBN-10: 2702211267
Sprache: Englisch
Einband: Gebunden
Autor: Pradeau, Christophe
Hersteller: Cercle D'Art
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 288 x 222 x 29 mm
Von/Mit: Christophe Pradeau
Erscheinungsdatum: 25.11.2022
Gewicht: 1,572 kg
Artikel-ID: 132855851
Über den Autor
Christophe Pradeau, novelist, essayist and book reviewer, teaches literature at the Sorbonne University. He notably created three novels published by Verdier (La Souterraine, 2005; La Grande Sauvagerie, 2010; Les Vingt-quatre Portes du jour et de la nuit, 2017), an essay illustrated with photos by Frédéric Leguetteur, Proust à Illiers-Combray. L’Éclosion du monde (Belin, 2013), and poems for an artist’s book (Paysages entrebâillés. Sept encres de Chine de Françoise Pacé, 2011).
Details
Erscheinungsjahr: 2022
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Buch
ISBN-13: 9782702211267
ISBN-10: 2702211267
Sprache: Englisch
Einband: Gebunden
Autor: Pradeau, Christophe
Hersteller: Cercle D'Art
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 288 x 222 x 29 mm
Von/Mit: Christophe Pradeau
Erscheinungsdatum: 25.11.2022
Gewicht: 1,572 kg
Artikel-ID: 132855851
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