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Beschreibung
In the course of a decades-spanning career as a filmmaker, Terrence Malick has carved out a distinctive cinematic aesthetic. Central to this style is the use of sound. James Wierzbicki offers the first comprehensive study of Malick's soundtracks, arguing that they create a distinctive sonic style throughout his oeuvre and exploring how that style functions. Considering voice, noise, and music as elements in the soundtrack, this concise book enriches our understanding of one of our most philosophical filmmakers, and of the interplay between the sonic and visual elements in film.
In the course of a decades-spanning career as a filmmaker, Terrence Malick has carved out a distinctive cinematic aesthetic. Central to this style is the use of sound. James Wierzbicki offers the first comprehensive study of Malick's soundtracks, arguing that they create a distinctive sonic style throughout his oeuvre and exploring how that style functions. Considering voice, noise, and music as elements in the soundtrack, this concise book enriches our understanding of one of our most philosophical filmmakers, and of the interplay between the sonic and visual elements in film.
Zusammenfassung
James Wierzbicki is Associate Professor of Musicology and Arts Music at the University of Sydney, Australia.
Inhaltsverzeichnis
1. Prologue / 2. Overview / 3. Voice / 4. Noise / 5. Music / 6. Epilogue
Details
Erscheinungsjahr: 2020
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780367730680
ISBN-10: 0367730685
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Wierzbicki, James
Hersteller: Routledge
Taylor & Francis
Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 7 x 138 x 216 mm
Von/Mit: James Wierzbicki
Erscheinungsdatum: 18.12.2020
Gewicht: 0,2 kg
Artikel-ID: 131008146