The Cognitive Semiotics of Film | Taschenbuch

Cover: 9780521037150 | The Cognitive Semiotics of Film | Warren Buckland | Taschenbuch | 2007

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Sprache: Englisch

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Beschreibung

In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies.

Über den Autor

Warren Bucklandis Reader in Film Studies at Oxford Brookes University, UK. Among the books he has authored are: Studying Contemporary American Film (with Thomas Elsaesser); the best-selling Teach Yourself Film Studies; The Cognitive Semiotics of Film; and The Film Spectator. He also edits the journal The New Review of Film and Television Studies.

Zusammenfassung

In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. He examines and develops the work of ‘cognitive film semiotics’, a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward ‘post-theory’ in film studies.

Inhaltsverzeichnis

Preface and acknowledgements; 1. The cognitive turn in film theory; 2. The body on screen and in frame: film and cognitive semantics; 3. Not what is seen through the window but the window itself: reflexivity, enunciation and film; 4. The institutional context: a semio-pragmatic approach to fiction and documentary film; 5. All in the mind? The cognitive status of film grammar; Conclusion; Notes; Bibliography of works cited; Index.

Erscheinungsjahr:	2007
Genre:	Importe , Kunst
Rubrik:	Kunst & Musik
Thema:	Fotografie
Medium:	Taschenbuch
ISBN-13:	9780521037150
ISBN-10:	0521037158
Sprache:	Englisch
Einband:	Kartoniert / Broschiert
Autor:	Buckland, Warren
Hersteller:	Cambridge University Press
Verantwortliche Person für die EU:	Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße:	229 x 152 x 10 mm
Von/Mit:	Warren Buckland
Erscheinungsdatum:	30.03.2007
Gewicht:	0,282 kg

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