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What counts as reality when images can be generated, manipulated, and circulated with unprecedented ease? The Future of Reality asks filmmakers and scholars to respond to a contemporary reality framed and filtered by algorithms and synthetic media. Questioning what other possibilities for reality can be found, the volume moves across nonfiction storytelling, generative and algorithmic media, sensing bodies and ecologies, and the politics of memory and a wide range of forms: essays, conversations, audiovisual works, and experimental interventions.
With contributions by Jií Anger, Adriano Aprà, Johannes Binotto, Silvia Cipelletti, Marine de Dardel, Donatella Della Ratta and The Void, Behrang Garakani, Devika Girish, Miguel Gomes, Chiara Grizzaffi, Veronika Hanáková, Alexandre Koberidze, Florian Krautkrämer, Evelyn Kreutzer, Occitane Lacurie, Alisa Lebow, Kevin B. Lee, Angelika Lepper, Sasha Litvintseva, Flavia Mazzarino, Volker Pantenburg, Igor Simi, Antonio Somaini, The Black Cube and Beny Wagner.
What counts as reality when images can be generated, manipulated, and circulated with unprecedented ease? The Future of Reality asks filmmakers and scholars to respond to a contemporary reality framed and filtered by algorithms and synthetic media. Questioning what other possibilities for reality can be found, the volume moves across nonfiction storytelling, generative and algorithmic media, sensing bodies and ecologies, and the politics of memory and a wide range of forms: essays, conversations, audiovisual works, and experimental interventions.
With contributions by Jií Anger, Adriano Aprà, Johannes Binotto, Silvia Cipelletti, Marine de Dardel, Donatella Della Ratta and The Void, Behrang Garakani, Devika Girish, Miguel Gomes, Chiara Grizzaffi, Veronika Hanáková, Alexandre Koberidze, Florian Krautkrämer, Evelyn Kreutzer, Occitane Lacurie, Alisa Lebow, Kevin B. Lee, Angelika Lepper, Sasha Litvintseva, Flavia Mazzarino, Volker Pantenburg, Igor Simi, Antonio Somaini, The Black Cube and Beny Wagner.
Kevin B. Lee is a filmmaker and media researcher who has produced nearly 400 video essays exploring film and media. His award-winning Transformers: The Premake introduced the "desktop documentary" format. His work has screened at the Museum of Modern Art, Berlinale, and International Film Festival Rotterdam, as well as on websites such as those of the New York Times and Mubi. He is the Locarno Film Festival Professor for the Future of Cinema and the Audiovisual Arts at Università della Svizzera italiana. Flavia Mazzarino is currently a PhD candidate at the Università della Svizzera Italiana in Lugano under the supervision of Kevin B. Lee, with whom she has also taught courses on video essays, cinema and audiovisual futures, and film festival studies. Marine de Dardel is an architect, visual artist, and media scholar. She studied architecture at the Swiss Federal Institute of Technology in Zurich and creative coding at Zurich University of the Arts. She has co-authored and edited several books, including Portraits: Architectural Parables and Elegies.
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Inhalt: | 200 S. |
| ISBN-13: | 9783035808988 |
| ISBN-10: | 3035808988 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: |
Lee, Kevin B.
Mazzarino, Flavia de Dardel, Marine |
| Herausgeber: | Kevin B Lee/Flavia Mazzarino/Marine de Dardel |
| Hersteller: | Diaphanes Verlag |
| Verantwortliche Person für die EU: | diaphanes verlag, Dresdener Str. 118, D-10999 Berlin, vertrieb@diaphanes.net |
| Abbildungen: | zahlreiche Abbildungen |
| Maße: | 190 x 126 x 20 mm |
| Von/Mit: | Kevin B. Lee (u. a.) |
| Erscheinungsdatum: | 01.09.2026 |
| Gewicht: | 0,344 kg |
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