Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Beschreibung

Epic in scope and personal recollection, The Music Is Black is the story of British imperial and colonial histories, the African diaspora, and contemporary British social history put into song.

Black British music has been the soundtrack to periods of profound political, social, cultural, and demographic change. It is the music of identity, indefatigability, resistance, anger, celebration, love, loss; it is the music of possibility and hope.

Opening with an exploration of the sound and identity of the African diaspora as shaped by the tumultuous forces of British imperialism and colonialism from the 1400s to 1900, Jacqueline Springer then surveys the black musical landscape in Britain from 1900 to 1970. Two major imports-American rap and Jamaican ragga-are singled out for their vital contributions to the homegrown genres central to the publication: lovers rock, Brit funk, 2 tone, jungle, drum & bass, trip-hop, and UK garage and grime.

Each genre is then considered with an academic framing of its social and political landscape and artist interviews that include Carroll Thompson, Neville Staple, Kenny Wellington, Bluey Maunick, Fabio and Grooverider, Skye Edwards and Ross Godfrey of Morcheeba, Megaman, DJ Target, and Slimzee.

The Music Is Black bears witness to the resilience, ingenuity, and heart of all those who create.

Epic in scope and personal recollection, The Music Is Black is the story of British imperial and colonial histories, the African diaspora, and contemporary British social history put into song.

Black British music has been the soundtrack to periods of profound political, social, cultural, and demographic change. It is the music of identity, indefatigability, resistance, anger, celebration, love, loss; it is the music of possibility and hope.

Opening with an exploration of the sound and identity of the African diaspora as shaped by the tumultuous forces of British imperialism and colonialism from the 1400s to 1900, Jacqueline Springer then surveys the black musical landscape in Britain from 1900 to 1970. Two major imports-American rap and Jamaican ragga-are singled out for their vital contributions to the homegrown genres central to the publication: lovers rock, Brit funk, 2 tone, jungle, drum & bass, trip-hop, and UK garage and grime.

Each genre is then considered with an academic framing of its social and political landscape and artist interviews that include Carroll Thompson, Neville Staple, Kenny Wellington, Bluey Maunick, Fabio and Grooverider, Skye Edwards and Ross Godfrey of Morcheeba, Megaman, DJ Target, and Slimzee.

The Music Is Black bears witness to the resilience, ingenuity, and heart of all those who create.

Über den Autor
Jacqueline Springer is curator, Africa and Diaspora: Performance at the V&A.
Details
Erscheinungsjahr: 2026
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Buch
ISBN-13: 9781838510527
ISBN-10: 1838510524
Sprache: Englisch
Einband: Gebunden
Redaktion: Springer, Jacqueline
Hersteller: Abrams & Chronicle Books
V & A Publishing
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Abbildungen: 135
Maße: 236 x 171 x 39 mm
Von/Mit: Jacqueline Springer
Erscheinungsdatum: 19.03.2026
Gewicht: 1,094 kg
Artikel-ID: 134881032

Ähnliche Produkte