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Beschreibung
The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music. In particular, the book provides an overview of the perception of musical tones by discussing different sound characteristics, like loudness, pitch and timbre, together with interaction between these attributes. It also discusses the effect of computer resources on the psychological study of music through computational modeling. In this way, models of pitch perception, grouping and voice separation, and harmonic analysis were developed. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. It can also serve as a textbook for advanced courses in the psychological study of music.
The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music. In particular, the book provides an overview of the perception of musical tones by discussing different sound characteristics, like loudness, pitch and timbre, together with interaction between these attributes. It also discusses the effect of computer resources on the psychological study of music through computational modeling. In this way, models of pitch perception, grouping and voice separation, and harmonic analysis were developed. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. It can also serve as a textbook for advanced courses in the psychological study of music.
Inhaltsverzeichnis
1: The Perception of Musical Tones
2: Musical Timbre Perception
3: Perception of Singing
4: Intervals and Scales
5: Absolute Pitch
6: Grouping Mechanisms in Music
7: The Processing of Pitch Combinations
8: Computational Models of Music Cognition
9: Structure and Interpretation of Rhythm in Music
10: Music Performance: Movement and Coordination
11: Musical Development
12: Music and Cognitive Abilities
13: The Biological Foundations of Music: Insights from Congenital Amusia
14: Brain Plasticity Induced by Musical Training
15: Music and Emotion
16: Comparative Music Cognition: Cross-species and Cross-Cultural Studies
17: Psychologists and Musicians: Then and Now
Details
Erscheinungsjahr: 2012
Fachbereich: Theoretische Psychologie
Genre: Importe, Psychologie
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Inhalt: Einband - fest (Hardcover)
ISBN-13: 9780123814609
ISBN-10: 012381460X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Deutsch, Diana
Auflage: 3rd edition
Hersteller: Elsevier Science
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 228 x 153 x 35 mm
Von/Mit: Diana Deutsch
Erscheinungsdatum: 13.11.2012
Gewicht: 1,272 kg
Artikel-ID: 124269770

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