It is 1918 in Moscow. The communist revolution is in full swing. Food is scarce, living conditions harsh. Two women meet on the stage of an empty theater. One is the now famous twenty-six-year-old poet Maria Tsvetaeva, the other the twenty-four-year-old actress Sonia Holliday ([...] Story of Sonechka, written almost twenty years later, is a vivid account, at once comic and tragic, of their love for each other. A previously untranslated masterpiece (Dmitry Bikov calls it "one of the five best books in world literature"), it stands as a testament to the artistry with which Tsvetaeva wrote prose; the vicissitudes of her life, love, and work; and the intense dynamics of Moscow culture in the wake of the Revolution. It also constitutes an exceedingly rare and early example of queer prose literature originally written in Russian.
It is 1918 in Moscow. The communist revolution is in full swing. Food is scarce, living conditions harsh. Two women meet on the stage of an empty theater. One is the now famous twenty-six-year-old poet Maria Tsvetaeva, the other the twenty-four-year-old actress Sonia Holliday ([...] Story of Sonechka, written almost twenty years later, is a vivid account, at once comic and tragic, of their love for each other. A previously untranslated masterpiece (Dmitry Bikov calls it "one of the five best books in world literature"), it stands as a testament to the artistry with which Tsvetaeva wrote prose; the vicissitudes of her life, love, and work; and the intense dynamics of Moscow culture in the wake of the Revolution. It also constitutes an exceedingly rare and early example of queer prose literature originally written in Russian.
Über den Autor
The life of Marina Tsvetaeva (1892-1941), now recognised as a major Russian and indeed European poet of the 20th century, was marked to an unusual extent by the political and ideological conflicts of her time. Born to a privileged background in Moscow, the revolutions of 1917 brought her crushing hardship and deprivation, but also ushered in a period of unparalleled creativity as poet and playwright. In 1922 she left for the west to rejoin her husband, who had fought with the counter-revolutionary forces. In 1925 the family moved from near Prague to Paris. Their existence was marked by appalling poverty and a growing alienation from the Russian émigré community. When in 1937 her husband was implicated in an assassination carried out by the Stalinist secret services, Tsvetaeva saw no alternative but to follow him back to the USSR. After the Nazis invaded Russia, she was evacuated to Yelabuga, where she took her own life in August 1941. The publication of well over 1,800 letters, as well as her diaries and notebooks, has revealed her to be a thinker of quite exceptional daring and philosophical profundity.
