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Beschreibung
For nearly two centuries readers all over the world have turned to the great canon of Russian literature. Love and death, war and peace, yes, even crime and punishment; readers across the globe have found in Russian writing a substantial measure of intellectual provocation, aesthetic pleasure, emotional resonance, and personal solace. Why We (Still) Need Russian Literature uses a number of Russian authors, from the familiar names of Tolstoy, Dostoevsky and Chekhov to less widely known writers like Goncharov, Bunin and Erofeev, to connect readers with these experiences.
With a lively, jargon-free style and insightful analyses of thought-provoking texts, this concise volume helps you to understand more fully the pleasure to be found in reading by putting you in conversation with some of the Russian masters. Though Russian novels often seem to be as big and potentially dangerous as a brick, this book argues that 'big' is in the eye of the beholder; the very definition of a Big Book, as is argued here, being a work of literature that bears reading and rereading, contemplating and discussing. Indeed by demonstrating how to identify what readers seek, and find-from aesthetically pleasing descriptions to apt psychological renderings-in Russian books, Angela Brintlinger seeks to enhance the gratification of reading, giving armchair travelers an excuse to embark on a series of fascinating journeys.
Drawing on Brintlinger's experiences as a scholar, teacher, and reader of literature, the book is informed by a deep cultural understanding of Russia and Russians. It reveals this through engaging literary meditations that connect Russian literature to those losses, ironies, and ambiguities that define the human condition. More specifically, it will serve as a guide or a prompt to give the Big Books of Russian literature a(nother) chance.
With a lively, jargon-free style and insightful analyses of thought-provoking texts, this concise volume helps you to understand more fully the pleasure to be found in reading by putting you in conversation with some of the Russian masters. Though Russian novels often seem to be as big and potentially dangerous as a brick, this book argues that 'big' is in the eye of the beholder; the very definition of a Big Book, as is argued here, being a work of literature that bears reading and rereading, contemplating and discussing. Indeed by demonstrating how to identify what readers seek, and find-from aesthetically pleasing descriptions to apt psychological renderings-in Russian books, Angela Brintlinger seeks to enhance the gratification of reading, giving armchair travelers an excuse to embark on a series of fascinating journeys.
Drawing on Brintlinger's experiences as a scholar, teacher, and reader of literature, the book is informed by a deep cultural understanding of Russia and Russians. It reveals this through engaging literary meditations that connect Russian literature to those losses, ironies, and ambiguities that define the human condition. More specifically, it will serve as a guide or a prompt to give the Big Books of Russian literature a(nother) chance.
For nearly two centuries readers all over the world have turned to the great canon of Russian literature. Love and death, war and peace, yes, even crime and punishment; readers across the globe have found in Russian writing a substantial measure of intellectual provocation, aesthetic pleasure, emotional resonance, and personal solace. Why We (Still) Need Russian Literature uses a number of Russian authors, from the familiar names of Tolstoy, Dostoevsky and Chekhov to less widely known writers like Goncharov, Bunin and Erofeev, to connect readers with these experiences.
With a lively, jargon-free style and insightful analyses of thought-provoking texts, this concise volume helps you to understand more fully the pleasure to be found in reading by putting you in conversation with some of the Russian masters. Though Russian novels often seem to be as big and potentially dangerous as a brick, this book argues that 'big' is in the eye of the beholder; the very definition of a Big Book, as is argued here, being a work of literature that bears reading and rereading, contemplating and discussing. Indeed by demonstrating how to identify what readers seek, and find-from aesthetically pleasing descriptions to apt psychological renderings-in Russian books, Angela Brintlinger seeks to enhance the gratification of reading, giving armchair travelers an excuse to embark on a series of fascinating journeys.
Drawing on Brintlinger's experiences as a scholar, teacher, and reader of literature, the book is informed by a deep cultural understanding of Russia and Russians. It reveals this through engaging literary meditations that connect Russian literature to those losses, ironies, and ambiguities that define the human condition. More specifically, it will serve as a guide or a prompt to give the Big Books of Russian literature a(nother) chance.
With a lively, jargon-free style and insightful analyses of thought-provoking texts, this concise volume helps you to understand more fully the pleasure to be found in reading by putting you in conversation with some of the Russian masters. Though Russian novels often seem to be as big and potentially dangerous as a brick, this book argues that 'big' is in the eye of the beholder; the very definition of a Big Book, as is argued here, being a work of literature that bears reading and rereading, contemplating and discussing. Indeed by demonstrating how to identify what readers seek, and find-from aesthetically pleasing descriptions to apt psychological renderings-in Russian books, Angela Brintlinger seeks to enhance the gratification of reading, giving armchair travelers an excuse to embark on a series of fascinating journeys.
Drawing on Brintlinger's experiences as a scholar, teacher, and reader of literature, the book is informed by a deep cultural understanding of Russia and Russians. It reveals this through engaging literary meditations that connect Russian literature to those losses, ironies, and ambiguities that define the human condition. More specifically, it will serve as a guide or a prompt to give the Big Books of Russian literature a(nother) chance.
Über den Autor
Angela Brintlinger is Professor of Slavic Languages and Cultures at Ohio State University, USA. Her scholarly work includes numerous essays and articles in English and Russian as well as books on biography (Writing a Usable Past: Russian Literary Culture, 1917- 1937, 2000) and war (Chapaev and his Comrades: War and the Russian Literary Hero in the Twentieth Century, 2012) and edited volumes on a variety of topics: Madness and the Mad in Russian Culture (2007), Chekhov for the Twenty-First Century (2012), and Seasoned Socialism: Food and Gender in Late Soviet Everyday Life (2019). In her blog The Manic Bookstore Café, Brintlinger links the present-both the extraordinary and the quotidian-with some of her favorite writers, artworks and cultural phenomena.
Zusammenfassung
Close textual analysis allied to wider historical and cultural contexts
Inhaltsverzeichnis
Acknowledgements
1: Introduction: Why we need Russian literature
2: In the beginning there was Pushkin
3: Larger than life: Leo Tolstoy's world
4: Dostoevsky, amateur psychologist
5: Chekhov and the pleasures of the written word
Afterword
Appendix: More books to read
Works cited and consulted
Details
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Gattungen & Methoden, Importe |
| Rubrik: | Literaturwissenschaft |
| Medium: | Taschenbuch |
| Reihe: | Russian Shorts |
| ISBN-13: | 9781350242142 |
| ISBN-10: | 1350242144 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Brintlinger, Angela |
| Redaktion: |
Norris, Stephen M.
Avrutin, Eugene M. |
| Hersteller: | Bloomsbury Academic |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Abbildungen: | 10 bw illus |
| Maße: | 196 x 128 x 9 mm |
| Von/Mit: | Angela Brintlinger |
| Erscheinungsdatum: | 08.02.2024 |
| Gewicht: | 0,156 kg |